Scratch my progress Vol. 5. : A Launch @ Oh Yeah Music Centre on 10 November 2016.
The bands featured on the CD Developing the Talent at Oh Yeah continues …..
This is the CD order – on the night the order didn’t matter in an egalitarian way – no hierarchy – no restrictions.
They occupy a phenomenon of being learned practiced musicians fused with a sound identifiable through many sparkling (referring not to the eye decoration of their face decorations) songs and sculptural polemic sunrising synth drum with the traditions of guitar laying down an environmental cue. You could get sentimental and attach glamour, style, sassyness to their full appropriation of the rock devils found everywhere but just like the purposeful fusion of a band like War Paint it is very much a part of the new temporal kaleidoscopic found in recent years as challenging old corners – and they are visually brilliant and purposely show performers like the zeitbeger, the stance and music comes in beautiful regulatory cycles. It will in many people’s minds just very soon illuminate many more venues and spaces as well as hearts.
In case of emergency put on a Emer Maguire record. On the evening Leonard Cohen, the balladeer of heart over mind and reverses intimately back and forth, passed the indemnity of our constant absorption of songs with meaning intensely speaking of our emotions and providing language we can’t find ourselves to express – came a dynamic multi-plex set of sorrowful, joyful, cross-gender wordsmithing in the same faith as the man.
About seventy to a million things sprang to mind in the aftermath – leaving a gig brings lots of recall. The millions of cells implanting during the listening via.trillions of synapses a blueprint, Emer does the blues like a mini 21st Janis Joplin with tidal loops and a progressive interlaced sound carrying very smart and advancing storytelling lyrics. True to the traditions of Van Morrison and Leonard Cohen Several songs stood out. The diverse nature of them was a troubadours force coming in the superb voice and vocal dexterity – all ranges (virtually – no ones perfect and as recent Belfast performer Taylor Mac said – [do you hear Tom Ford?] Perfection is for assholes) are covered. There is a lot of grief around not just over LC but the DB and other losses Prince, but there is als thank God people of new generations formulating for us and to be a tribute to those before. Emer Maguire is a performer you should and will hear a lot more from. To good talent to be missed. Very appealing in many ways.
Less is more but Drums and Bass forcing the parameters of setting themselves into a tight – that’s all there is folks just two of us – heavy scuzzy materially pushing hard rock round punk corners, around jazz like dueling and genuinely solid playing the pairing of Phil Brown on vocals – wears a wooly head cover to keep his brains in – and Calum McKeown fit and dovetail as Nirvana and immersible – they supply the kicks as the drinks kick in and you have a carry along blast the constant supply of tight and energised out pouring of drums/bass hard rock which stays clear of a thematic indulgence and delivers a potent raw mix of two guys who know exactly how to lift and energise an audience. Yet to listen to the other work on record but await it through the containment of headphones and outdoors preferably for the great escape this music savours.
What struck me most, besides the equality of talent was the style and playing of guitarist Ethan Murphy which was not only smart, collected and driven but symbolic of understanding the chords shifts and were neat attachments to songs crafted as a unit. The material composed developed then played live took on a truly expanded room filling sound. Sharp and on the money.
I love the bands name and it signals a no compromise attitude virtue of their range. This persona of Bass Martin Drums Alex Drums with his brother Eoghan on Guitar are psychedelic (attitude) rock (heavy guitar dexterity) contemporary (songs to picture now or in the case of Just Seventeen the false armour of alcohol) which all reminded me of a continuation of Frank Zappa more than once. They demand you have fun because – depends on the age of the audience – their attitude especially the infectious cruelly wondrously gifted with amazing hair (I’m follicly challenged) Eoghan who you cannot ignore or dislike, pails reference Petty Youth I take it, as in contrary to the normal reactive ‘youth is wasted on the youth’ but as Iggy Pop says in the new Gimme Danger – my extensive review in this location is up very soon – it’s written and I’ve retrieved it after temporary loss – he visited a Chicago black dominated night club only to see perpetual youth in those who dance, perform get into the vibe of the moment instantly without any shields or self consciousness in their own soul blues gospel way with an overdose of the magic which gives that experience exactly what Iggy refers to ‘haven’t lost the child in them’ – or words to that effect – the Miles Davis type ingredient of new jazz fused music taking the medium, the seventh sense even further. This outfit therefore are on the same road finding out the pairings of bass guitar, bass and drums, guitar and drums, drums and vocals as an ongoing moving on sound. They nail it, hit the nail on the head, yours, and contradictorily, hit the head on the nail. They are in other words self-deprecating but not in the overboard for the sake of it Spinal Tap funny. So it’s the sound that counts and I hope they strike it with a goldmine song to ensure more production and formulations. They can do most things, Guns and Roses, Stone Roses, The Ramones you name it but they are now themselves.
So that’s it but the Bands – Check them out and also support live music.
Short story telling is my Musical review style.
It’s not about one thing and no gig ever is and it’s not
like that tourist thing called ‘the golden moment’ which
is taken away as the memory to be synaptical fused foreverish.
It about everything. This is the generosity life conveys.
I won’t write about the individual songs as they are each so
much individual marks within a context and separating them
to analysis their essence is a coat of many colors best left
alone for these purposes of interaction, reaction to a gig and
a great night of diverse and talented musicians that you
need to listen more too if you already haven’t done so if
you call yourself a local music fan/listener.
What are your songs about? – interviewer
About three minutes – Bob Dylan.
12 November 2016
Gimme Danger Review will post at mid-day on Monday 14 November 2016 and is on at QFT most of the week check out times and go see. It fills in a large undocumented part of the influences etc.