J’Oscar’s 2017 : Film Review Awards

J’Oscar’s    A glass half full?

Here’s the envelope. Thanks. Oh this is exciting and after last year no mistakes, right? Oh it can’t be – didn’t it star, well he was under a white sheet most of the time, but surely you can’t give it to this movie. Didn’t he get embroiled in some sleaze about behaviour onset? OK, there’s no mistake.

The J’Oscar for Best Picture of 2017

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……. goes to A Ghost Story

Through clenched fingers up to my face and I Place at No. 1 of all the films I saw throughout 2017 the remarkable A Ghost Story.  As a Film is greater than the individuals and one should not destroy a films validity I discard malice felt towards an actor whose case has boot been publicly aired from a decision on the meet of a film. While some and those privately hurt by any actions that may have taken place will have their own reasons to denounce such a position it is to be balanced alongside,

 

1. Where it known, would the man have been given the part?

2. Does the entire cast and crew making this astonishing film have to be dismissed along with the actor making their achievements null?

3. Should film producers not have a role in calling out misdemeanours and passing on details to authorities outside the businesses instead of muck slinging inside it which becomes friable as a result when newspapers and other media get to speak of it?

Creating such a remarkable film David Lowery does not deserve to be snubbed in recognising the immense quality of the whole ensemble including Rooney Mara and the editing sound and cinematography contributions.  Blazingly brilliant film.

Perpetuity in a singularity 

A Ghost Story is a film about perpetuity and the ever moving wonderous world we inhabit and has a touch of heaven about it.  Surreality is dictionalised yet the reality is with us as we pause in watching this film to consider the outcomes we have been apart of and how the future will happen regardless of our presence.  The Ghost is us looking in on the immovable constant moving on.

Other awards go to ………

Mary Queen of Scots was a Platform for two brilliant performances from actresses, Ireland’s Saoirse Ronan as Mary and Australia’s Margot Robbie as Elizabeth the First. With them both having accomplished great roles and performances in respectively I,Tonya and Ladybird the closesness to Best Actress must be a sharp call. They are also challenged by Meryl Streep who many are in awe of despite the performance in The Post being lauded largely because it creates a large canvas and she as a fine actress has the skills of ‘pause and reflect’ timing which is allowed here due perhaps to the eras pace not the rush through a more contemporary part would have pushed upon us. So the Oscar goes to – see below!

The I,Tonya story is an excruciating piece of drama for lovers of fair play and points to the winner at all costs mentality pervading many sports. From dodgy injections in footballers to dampen pain before a very crucial match, to the Olympic level drug and substance abuse to the on road ‘replacement therapies cyclists partake in to get to the head of the pack, the story rarely is covered by cinema. No one loves a cheat and the scenarios are usually not pretty. The last time I liken an athletes grime story and reinstatement was the brilliant Matthew Maconaghy in The Dallas Buyers Club which was an epic and underated dramatic off road, road movie. The endurance and counterpunches of Margot Robbie whose immersion was instantly believably in my mind skated off with the Best Actress Award.

The J list

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Extras

Hogh flying films such a short Killing of a Sacrificial Deer and Insyriated will last long in the memory and of course are worth seeing several times.

The Farthest was a remarkable documentary worth mentioning and revisiting.

Notable hypes include Dunkirk and Real Actresses Don’t die in Liverpool.  Along with the over rated – exceptional though of the mark In his choices of going off on his own reading of the man is Gary Oldman. Darkest Hour.  The films Shape of Water and Ladybird rank highly but not notably and it is only through the gifted direction and playing of Saiorse Ronan does Ladybird achieve the distinction of a near miss director award.  That went to a someone whose films are gaining the storytelling and visual connection with audiences. (Jordan Peele – Get Out)

Much more can and will be written about this turn around year for Film making. Jennifer Lawrence is off on Exec. Producing the #metoo as a series. It will unearth and keep the profiling of the film industry high but not unfortunately with the added distinction of keeping belief in a fictional portrayal as a means of entering an issue or providing very important insight on aspects of humanity. Most is seen in the minutiae of drama in the big picture and The Florida Project was a sensitive other form of insight which is near the top in terms of films I rated this past year. It and other stranger ones.

John Graham

28 February 2018

Belfast

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